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Our Spiffy New Site

Posted by Pop Culture Monster on 4:49 PM
As you may or may not know, depending on whether a) you like us or b) you care, we have a glorious new site where you can reach us. Please please please check it out and tell us what you think. At the moment, only the articles from here are on it, but there will be updates tomorrow, and the next day and the next day. So do check it out, and comment. The site is http://www.popculturemonster.com/ or alternatively click here. Look at that for tech savvy!! :D Happy surfing guys.

Oh AND... Follow us on Twitter and tell your friends too @PopCultMonster

--PopCultureMonster /CiarĂ¡n

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The Oscars 2010: Who Won? And What Did We Think?



So, if you live under a rock or weren’t on Twitter last night, you wouldn’t know that the Oscars happened. Well they did, and what an Oscars they were – there were a few records set! By hosting standards, Alec and Steve were okay. They weren’t great though. A lot of their stuff was very forced and not very funny and Alec developed a seriously annoying habit of clapping into his mic at the very start.

Firstly, Neil Patrick Harris’ opener was good, but not as good as Hugh Jackman’s last year. The acceptance speeches this year were pretty succinct, and quite pleasing to hear which makes a change. There wasn’t too many cringe worthy acceptance moments. Sandra Bullock’s acceptance speech for her Best Actress award for The Blind Side was particularly good. She didn’t stay very long on stage, made a joke at the end and didn’t blubber into the mic like an idiot for the whole time (see Halle Berry c. 2001). However one of the worst was Sandy Powell, who won Best Costume Design for The Young Victoria, who gave a very narcissistic, conceited speech, bragging “I already have two of these.”

Meryl Streep took all of the gibes in good spirits, which was good to see, and Avatar didn’t win any major awards, which was even better to see. Avatar is all sparkle, no substance and has made more money than God. Let that comfort Jim on a cold night when Katherine is cuddled up with all her little gold men.

Which brings me to The Hurt Locker, the stand out above everything winner of this year. It won both Best Picture and Best Director for Katherine Bigelow, who became the only woman to have ever won an Academy Award for Best Director. It also won another 4 awards, bringing it to a total of 6 of its 9 nominations.

The tributes were cringe worthy, which was in-keeping with Oscar tradition. And there will also be backlash for the dead-list, which included Michael Jackson not well known for his acting, and left off Farrah Fawcett, only known for her acting. Oh, and her hair. James Taylor sang the tribute song over the montage which wasn’t moving at all, as it was a bad song sung badly. The worst part of the night was the montage of selected pieces of the nominations from the Best Original Score category. A dance troupe did interpretive dancing to the pieces and they couldn’t have got it more wrong. It was more like a rejects dance from Britain’s Got Talent. Don’t get me wrong, the dancing was good, it was the interpretation that needed a lot of work.

The big wins of the night were as follows:

Best Picture: The Hurt Locker

Best Director: Katherine Bigelow, The Hurt Locker

Best Actor: Jeff Bridges, Crazy Heart

Best Actress: Sandra Bullock, The Blind Side

Best Supporting Actor: Christopher Waltz, Inglorious Basterds

Best Supporting Actress: Mo’Nique, Precious: Based on the Novel Push by Sapphire

Best Original Screenplay: The Hurt Locker, Mark Boal

Best Adapted Screenplay: Precious: Based on the Novel Push by Sapphire, Geoffrey Fletcher

Best Animated Feature: Up, Pete Docter

Overall, common sense prevailed at this year’s awards ceremony (looking at you, Avatar) and the night continued without any major glitches. It lasted a very respectable 3hrs 37mins. And Pop Culture Monster would like to extend our congratulations to Katherine Bigelow.

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Social Networks and The Internet

Posted by Pop Culture Monster on 9:27 AM in , , , ,

Just as a disclaimer: I love social networking. I am an advocate of it. I practice it a lot, and have done for several years. But this is really interesting to think about.


Facebook? Twitter? Omegle? I am almost positive that you’ve heard of at least one of these sites, if not them all. One is the biggest social networking site online, one is fast becoming the biggest social networking site online, is the last a place where you can chat anoynmously to absolute strangers. Yes, there is the whole problem of, you know, complete pervs on there and that it is completely unsafe for children. But, having said that, the possibilities on this site are endless.



On the internet, we create a utopian society made up of people we like. But without a hetrogenous society, we create difficulties. Cass Sunstein asks us “Is the Internet a wonderful development for democracy?”. He believes it is in many ways, but there is downsides to this wonderful invention, however. He continues, “in the midst of the celebration, I want to raise a note of caution. I do so by emphasizing [sic] one of the most striking powers provided by emerging technologies: the growing power of consumers to "filter" what they see. As a result of the Internet and other technological developments, many people are increasingly engaged in a process of "personalization" [sic] that limits their exposure to topics and points of view of their own choosing.” So in this respect, social networks are very fine examples of how to show this idea in practice.


We can choose who to add as friends, reject or accept those who do, follow who we choose, speak to whom we wish to speak – and all these people are generally who we have things in common with, otherwise we wouldn’t interact with them would we? Essentially, we isolate ourselves. This is where we are more comfortable or assured, and we practice what’s known as group polarisation. We aren’t exposed to points of view which necessarily differ from our own and therefore we are never challenged. And in this sense, the internet produces narrowness, as opposed to breadth. We have a dramatic increase in choice and control, and a decrease in the power of things where we don’t choose that are in say newspapers for example.


The reason I write this blog post now is I recently discovered Omegle, and it got me thinking about the idea of choice and power. I was told, “you are now chatting with a stranger. Say hi!” and then, if I didn’t like that stranger, I could simply disconnect and move on. At first I found myself giving these “strangers” a lot more of my time than I should have, I was reluctant to just disconnect on someone for fear of offending them. Then I started to think, hey they haven’t got a clue who I am, and this conversation does not reflect badly on me nor them so, what if I disconnect? What if I’m an asshole to this person? So I disconnected within the first couple of seconds if they didn’t grab me with anything interesting (on a side note, hi asl? is not interesting. Ever.) I have to say I have had the most random, funny and altogether disturbing conversations with absolute strangers. You wouldn’t have such conversations as you do on here in real life for fear of being judged, or offending. So why do we do it on the Internet? ‘Cus it’s fun.


Cass Sunstein's article "The Daily We" which inspired this blog post is available here.


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